Keno Don Hugo Rosa is an American comic book writer and illustrator known for his stories about Scrooge McDuck, Donald Duck and other characters created by Carl Barks for Disney comics, such as The Life and Times of Scrooge McDuck, Son of the Sun and many others. Don Rosa was exposed to comics at a very young age, as his 11-years-older sister was a comics hoarder, and had thousands of comics for Don to look at and later read. Rosa began drawing comics before being able to write. Until high school, of which he attended Saint Xavier High School in Louisville, Kentucky his featured characters were a large cast of stick figures featured in comedy-adventures like the Barks comics and old movies Don enjoyed most. He never tried to draw more than stick figures because the drawings, for him, were illustrations to get the story told. Only the story was important to him, not the actual drawings. His favorite comic books growing up were Uncle Scrooge by Western Publishing and Little Lulu comics from Dell Comics (Western Publishing), and his sister’s collection of MAD comics and magazines. When he was 12 years old he also discovered and enjoyed the Superman titles by DC Comics of the editor Mort Weisinger period, drawn mostly by his favorite Superman artists Curt Swan and Kurt Schaffenberger. Shortly after starting to collect Superman comics he started to trade the collection of his older sister for Superman Comics. Since a comic book shop in his area traded 2 old comics for 1 new, he only had 2 Duck comics left from his sister’s collection by the 70s, one of them being The Golden Helmet. When he became a serious collector of older comics, he particularly enjoyed the classic E.C. horror and science fiction comics of the 1950s, Will Eisner’s The Spirit, Walt Kelly’s Pogo, and most comics of the 1940s onward.
Floyd E. Norman is an American animator who worked on the Walt Disney animated features Sleeping Beauty, The Sword in the Stone, and The Jungle Book, along with various animated short projects at Disney in the late ’50s and early ’60s. Norman had his start as an assistant to comic book artist Bill Woggon, who lived in the Santa Barbara, California, area that Norman grew up in. After Walt Disney’s death in 1966 Floyd Norman left Disney Studios to co-found the AfroKids animation studio with business partner animator/director Leo Sullivan. Norman and Sullivan worked together on various projects such as the original Hey! Hey! Hey! It’s Fat Albert television special which aired in 1969 on NBC (not to be confused with the later Fat Albert series made by Filmation Associates). Norman returned to Disney at one point in the early 1970s to work on the Disney animated feature Robin Hood. In the 1980s he worked as a writer in the comic strip department at Disney and was the last scripter for the Mickey Mouse comic strip before it was discontinued. More recently he has worked on motion pictures for Walt Disney Animation Studios and Pixar Animation Studios, having contributed creatively as a story artist on films such as Toy Story 2 and Monsters, Inc. for Pixar and Mulan, Dinosaur and The Hunchback of Notre Dame for Walt Disney Animation, among others. He continues to work for the Walt Disney Co. as a freelance consultant on various projects.
Jeph Jacques writes and illustrates the webcomic Questionable Content. He was born in Rockville, Maryland, and graduated from Hampshire College with a degree in music. He lives in Southampton, Massachusetts with his wife (and business manager) Cristi. He also has a younger brother, Justin. Questionable Content (QC) is a comedic slice-of-life webcomic that Jacques started on August 1, 2003. It was initially published two days a week, and then moved up to three updates a week when Jacques published strip #16. On September 4, 2004 Jacques lost his day job, and decided to try publishing QC every weekday and make a living selling QC-related T-Shirts. Jeph is one of the small number of professional web cartoonists, as he and his wife Cristi both make their living through QC.
Neal Adams is an American comic book and commercial artist known for helping to create some of the definitive modern imagery of the DC Comics characters Superman, Batman, and Green Arrow; as the co-founder of the graphic design studio Continuity Associates; and as a creators-rights advocate who helped secure a pension and recognition for Superman creators Jerry Siegel and Joe Shuster. Adams was inducted into the Eisner Award’s Will Eisner Comic Book Hall of Fame in 1998, and the Harvey Awards’ Jack Kirby Hall of Fame in 1999. During the 1970s, Adams was politically active in the industry, and attempted to unionize its creative community. His efforts, along with precedents set by Atlas/Seaboard Comics’ creator-friendly policies and other factors, helped lead to the modern industry’s standard practice of returning original artwork to the artist, who can earn additional income from art sales to collectors. He won his battle in 1987, when Marvel returned original artwork to him and industry legend Jack Kirby, among others. Adams notably and vocally helped lead the lobbying efforts that resulted in Superman creators Jerry Siegel and Joe Shuster receiving decades-overdue credit and some financial remuneration from DC.
George Pérez is an American writer and illustrator of comic books, known for his work on titles including The Avengers, Teen Titans, and Wonder Woman. Writer Peter David has named Pérez his favorite artistic collaborator. Pérez came to prominence with Marvel’s superhero-team comic The Avengers, starting with issue #141. In the 1970s, Pérez illustrated several other Marvel titles, including Creatures on the Loose, featuring the Man-Wolf; The Inhumans; and Fantastic Four. Writer Roy Thomas and Pérez crafted a metafictional story for Fantastic Four #176 (Nov. 1976) in which the Impossible Man visited the offices of Marvel Comics and met numerous comics creators. Whilst most of Pérez’ Fantastic Four issues were written by Roy Thomas or Len Wein, it would be a Fantastic Four Annual where he would have his first major collaboration with writer Marv Wolfman. Pérez drew the first part of writer Jim Shooter’s “The Korvac Saga”, which featured nearly every Avenger who joined the team up to that point. Shooter and Pérez introduced the character of Henry Peter Gyrich, the Avengers’ liaison to the United States National Security Council in the second chapter of that same storyline. Writer David Michelinie and Pérez created the Taskmaster in The Avengers #195 (May 1980).
Edgar Wilmar Froese is a German artist and electronic music pioneer, best known for founding the electronic music group, Tangerine Dream. Although his solo and group recordings prior to 2003 name him as “Edgar Froese”, his solo albums from 2003 onward bear the artist name “Edgar W. Froese”. Froese was born in Tilsit (Sovetsk), East Prussia, during World War II. He took piano lessons from the age of 12, and started playing guitar at 15. After showing an early aptitude for art, Froese enrolled at the Academy of the Arts in West Berlin to study painting and sculpture. In 1965, he formed a band called The Ones, which played rock and R&B standards. While playing in Spain, The Ones were invited to perform at Salvador Dalí’s villa in Cadaqués. Froese’s encounter with Dalí was highly influential, inspiring him to pursue more experimental directions with his music. The Ones disbanded in 1967, having released only one single (“Lady Greengrass” / “Love of Mine”). After returning to Berlin, Froese began recruiting musicians for the free-rock band that would become Tangerine Dream. Froese’s composition “Stuntman” has been used as the opening theme music for “Mabat Sheni” (“Second Look”), an investigative news program from Channel One television in Israel, since the 1980s. Edgar Froese has declared himself to be a non-smoker, non drug user, and vegetarian.
Gilbert Shelton is an American cartoonist and underground comix artist. He is the creator of The Fabulous Furry Freak Brothers, Fat Freddy’s Cat, Wonder Wart-Hog, Philbert Desanex, Not Quite Dead, and the cover art to The Grateful Dead’s 1978 album Shakedown Street. He also did the cover of the early classic computer magazine compilation “The Best of Creative Computing Volume 2” in 1977. He graduated from Lamar High School in Houston. He attended Washington and Lee University, Texas A&M University, and the University of Texas at Austin, where he received his bachelor’s degree in the social sciences in 1961. His early cartoons were published in the University of Texas’ humor magazine The Texas Ranger. Directly after graduation, Shelton moved to New York City and got a job editing automotive magazines, where he would sneak his drawings into print. The idea for the character of Wonder Wart-Hog, a porcine parody of Superman, came to him in 1961. The following year, Shelton moved back to Texas to enroll in graduate school and get a student deferment from the draft. The first two Wonder Wart-Hog stories appeared in Bacchanal, a short-lived college humor magazine, in the spring of 1962. He then became editor of The Texas Ranger and published more Wonder Wart-Hog stories.